Held her first dated one-woman exhibition, marking a new phase of her practice.
In November 1945, Grace Cossington Smith curated her first one-woman show that featured paintings with inscribed dates, initiating a noteworthy phase in her artistic journey. This exhibition represented more than just a display of her works—it was a methodical catalog of her artistic evolution. The decision to date her paintings underscored a new profound maturation in her approach and highlighted her dedication to documenting her artistic progression meticulously. This exhibition drew critical attention and appreciation from a broad audience, reinforcing her influence on the Australian modernist landscape and offering greater insight into her visual narrative and artistic methodology.