Second performance of Smyth’s Der Wald at the Metropolitan Opera.
On March 20, 1903, Der Wald received a second performance at the Metropolitan Opera. It remains pivotal as one of only two performances of Smyth's work at the Met and highlights the enduring challenge that women composers faced in securing representation in top musical venues. Despite limited opportunities, Smyth's recognition at the Met was unparalleled for a woman at the time.
Although Der Wald did not become part of the standard repertoire, this particular performance continues to inspire discussions about gender parity and representation in classical music.